Star wars the force awakens fulll movie11/4/2022 ![]() ![]() The robot’s half-dome-like head rests on an oversize soccer-ball body. The non-female counterpart to Daisy isn’t Poe but his cute robot, BB-8, a roly-poly marvel that risks life and circuitry to carry a crucial map to safety, following the noble, comical traditions of R2D2 and C3PO. STAR WARS THE FORCE AWAKENS FULLL MOVIE SERIESStill, fans will whoop it up at the first sight of every familiar relic, like Solo’s Millennium Falcon, and at the first sound of any series reference or running joke, like Solo insisting once again that he made “the Kessel Run” in 12 parsecs ( not 14). When the film doesn’t click, which happens mostly when Rey is out of the picture, it feels second- or thirdhand. Courtesy of Ridley’s swift instinct as a performer, Rey reacts to any man who thinks she needs protection as if he’s from a whole other universe. There’s nothing self-conscious about her readiness for battle and her rough-hewn integrity. Ridley injects the action with her own infectious delight as Rey revels for the first time in lush green landscapes and in the pleasure of friends as rugged and amusing as master smuggler Han Solo (Harrison Ford) and his trusty copilot Chewbacca (Peter Mayhew). When the film clicks, it’s derivative and zesty. ![]() (The data comes from Max von Sydow, in a role so brief it seems concocted simply to include an actor as formidable and sage as the original trilogy’s Alec Guinness.) General Leia (Carrie Fisher)-that is, the general formerly known as Princess-dispatches her cockiest Resistance fighter jock, Poe Dameron (Oscar Isaac), to secure information about Luke’s whereabouts. It hinges on the search for Luke Skywalker (Mark Hamill), whose abrupt retirement from training a next generation of Jedi, followed by his sudden disappearance, helped create a new surge in the Dark Side and the rise of the First Order. STAR WARS THE FORCE AWAKENS FULLL MOVIE MOVIEWritten by Abrams and Lawrence Kasdan (who also wrote The Empire Strikes Back), based on earlier work by Michael Arndt ( Toy Story 3), the movie is shrewdly if prosaically constructed to bridge the series’ past and future. Later, when the cagy, wizened pirate queen Maz Kanata (Lupita Nyong’o, captivating but unrecognizable in a digital part), advises her to look ahead, not back, she’s already leaning forward. Abandoned on the desert planet of Jakku at age 5, she’s waited for her family’s return ever since, scratching each passing day on her wall like a prisoner marking time in a cell. Like everyone else in this sequel (episode seven in the series, set three decades past Return of the Jedi), Rey arrives on the scene with a ton of baggage, but she carries hers lightly. No one can best her at life-or-death games of “who blinks first.” As the movie powers its way across another galaxy-spanning spasm in the balance of Good and Evil, Ridley responds to the cosmic fascism of the First Order and the stirring heroics of the Resistance with scintillating intensity. It’s no spoiler to say that the Force is strong within her, and it’s no disrespect to her cast-mates to say that her presence elevates the movie. Abrams, puts a vast, diverse ensemble through Tilt-A-Whirl combinations of centrifugal and gravitational force. Her fresh, go-get-’em character gives audiences an emotional focus while the movie’s director, J.J. She supplies the heady new wine for a bottled-up, 38-year-old franchise. ![]() As the desert scavenger Rey, British actress Daisy Ridley unleashes a talent that flashes like a beacon amid the enjoyable clatter of Star Wars: The Force Awakens. ![]()
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